Archive for the ‘opinion’ Category

On Modesty: Ruminations on the Other


2013
04.18

Any of you that follow me on Goodreads have seen evidence of my new literary crush: Jacky Faber the intrepid heroine of the Bloody Jack books. Jackie is impulsive, brash, inventive, whip-smart and immodest and I see more than a little of my own personality in her. When she misbehaves Jacky is prone to lay blame at her childhood as a street orphan in early 1800s London: ‘I wasn’t brought up proper’! The legions of well-kissed gentlemen she leaves in her wake are by turns gob-smacked or outraged or aroused. Jacky continually says ‘it was just a bit of fun’. Jacky can get away with this, because she is fictional, but were any girl to act like this in real life, the censure of society would quickly either stop it, or put it into the whore-house.

Jacky has made me realize how shoddy the cloak of modesty really is. Modesty, in short, is a two pronged tool; one prong is designed to keep people in their place, the second is designed to keep out the ‘other’. How it accomplishes the first is obvious – one only has to look to cultures that practice extreme modesty to see how rigidly ‘place’ is enforced. I am not making judgments here on the rightness of these cultures – just stating the fact that when rules of cultural modesty are enforced in the extreme, we also see restrictive gender roles, and rigid space rules that involve men’s space and women’s space being separate. Often times these cultures are also closed to strangers, which brings me to my second point:

The idea of the second prong of modesty (and related cultural rules) has me thinking deeper. In it’s most basic form, the rules that govern cultural behavior also create an easy short-hand for identifying those that don’t fit in. We fear the other so deeply that we create entire systems of coded rules and behaviors to keep them out. This works very well in an archaic situation where you need to be able to tell the marauding Viking from a local farmer, but it is not so good in the modern cultures of the first and second world. Fear of the other is one of the prime causes of our current insanity where our legislators vote against love and vote for semi-automatic weapons. After all – we need weapons to defend against the other and we cannot allow that other to adopt the cultural behaviors we hold dear because how on earth would we recognize them.

As a child I chafed against the constraints of modesty. I had no understanding how someone could equate my desire to take my shirt off while working in the fields, (just like all the boys), with sex or dirtiness. I just liked the feel of the sun on my shoulders. I was not required to stay clothed for my benefit. I was required to keep my shirt on so that I fit the pattern our culture had established. They needed me to fall in line so that I would not distract them from their vigilance towards the other.

Jacky gets away with breaking her culture’s rules because she is a fictional heroine. But I can’t help thinking that our culture would be far better off if more of us cast off these old rules, admitted the ‘other’ in our midst and learned to live and let live.

Of Cakes and Bullets


2012
07.20

Two items of sad news in my inbox today from friends in Colorado.

1)The shooting in Aurora.

2)A bakery in Littleton refusing to make a wedding cake for a gay couple.

How are they connected?

In both instances, one tragic and one trivial a single party takes an action, based on their own personal thoughts and emotions without regard for who gets hurt.

In both instances the perpetrator puts their own thoughts, values, feelings and actions in a position of supremacy over others.

In both cases, they lash-out with a sense of justice, heart-felt belief, and a sure knowledge that their world view can be forced onto others. One does this with guns and violence, one with a sneering discrimination.

How long must we continue as humans to face our fellows with censure, scorn, violence and hatred.

How long must we let the rage and fear control us.

I know that a cake is nothing in comparison to a shooting, but every drop of water contributes to the ocean of hatred.

People who go mad and shoot innocents are such a big thing – a problem I can’t even begin to unpack or find solution for.

People who refuse to provide a cake for a celebration of love when they don’t agree with the source of that love? That is a small thing that I believe we can find a solution for.

If we can change our behaviors towards each other one drop at a time, maybe we can beat this thing and become the loving, giving, sheltering and caring humanity we are capable of imagining.

 Maybe we can stop talking about cake and bullets and start celebrating weddings and film openings.

Review: Crewel by Gennifer Albin


2012
06.30

Book Blurb or

What the flap says this book is about:

Incapable. Awkward. Artless.

That’s what the other girls whisper behind her back. But sixteen year-old Adelice Lewys has a secret: she wants to fail.

Gifted with the ability to weave time with matter, she’s exactly what the Guild is looking for, and in the world ofArras, being chosen as a Spinster is everything a girl could want. It means privilege, eternal beauty, and being something other than a secretary. It also means the power to embroider the very fabric of life. But if controlling what people eat, where they live and how many children they have is the price of having it all, Adelice isn’t interested.

Not that her feelings matter, because she slipped and wove a moment at testing, and they’re coming for her—tonight.

Now she has one hour to eat her mom’s overcooked pot roast. One hour to listen to her sister’s academy gossip and laugh at her Dad’s stupid jokes. One hour to pretend everything’s okay. And one hour to escape.

Because once you become a Spinster, there’s no turning back.

My Cover Blurb or

What I would say if asked:

Weaving complex themes of gender roles, agency and moral relativism into a tapestry of pounding hearts and impossible choices, Gennifer Albin has created a world where the dreams and desires ofone sixteen year old warp the very fabric of reality. – Eddie Louise

10 Words Review:

 

Story:

Galvanizing

Main Character:

Contentious

Supporting Characters:

Meretricious

Plot:

Polemic

Setting:

Palpable

Voice:

Conflict: Confidant

Mastery

Resolution:

Escalated

Theme:

Causation

Variations:

Feminism

 

I received an ARC of Crewel from the publisher. Crewel will be published in the USA 10/16/12.

http://genniferalbin.com/

http://www.goodreads.com/author/show/4906436.Gennifer_Albin

Can you Defend Rape?


2012
06.13

The interwebz blew up this afternoon with reaction to this article: In Defense of Rape. The author make some reasonable points and says a few spurious things as well.

To paraphrase where he was reasonable: Rape, like other forms of violence and physical dominance can be an inciting element for character and plot development. I have no beef with this; it is true inciting elements do help us further our stories.

Where the argument is spurious:

He sexualizes rape: 1) The author starts off the post with a picture that shows a naked woman, head thrown back in ecstasy, legs voluntarily lifted, hands reaching to embrace her attacker (the God Zeus in swan form). This is a masculine idealization of rape as deliverance of a gift. It has been discredited by many writers far more astute than I. 2) He asks “…can we use it {rape} as a springboard to examine the sexual culture in the story?” 3)  He writes… somewhere between 30 and 50 percent of women have rape fantasies. Hello Grimachu, but until you are clear on the power dynamics at play in rape, until you can tell the difference between sex and violence, and until you understand that rape fantasies have no bearing on ‘real’ rape because a fantasy is voluntary and can be stopped at any point, I do not find you qualified to write on the topic of rape as a plot device.

He equates the discussion of Rape Culture with Censorship: For this I will need the whole quote:

The ‘sexism/misogny/rape culture/all men are bastards’ argument has been raging in ever increasing intensity over most of the things that I enjoy and like. Cinema, comics, fantasy art, role-playing games and computer games. I’m pretty much done taking the abuse and the offensive presumptions that go into these arguments without arguing back at this point, because I don’t want the argument to be entirely in the hands of censorious bullies.

So – basically – if you see a rape culture, or if you disagree with the author you are censorious bullies.

As I told Grimchu on twitter – you have failed to uphold your argument sir, and the good things you have to say are overbalanced by the lack of understanding you demonstrate both towards the subject and towards the readers it touches. There is an identifiable rape culture, in literature, in music, in film, and certainly in games. The extent of that culture is up for an argument, but the use of the aforementioned picture by this author proves that point. Still doubting rape culture? Search Google images for rape and see how many of the top responses use rape as a joke, a put-down or an incitement to sexual acts. Pointing this fact out does not make one a bully any more than writing an article in defense of rape makes one a rapist.

As far as using rape in fiction? Of course it can be used. It is a part of life, a part of history and a valid topic for exploration. SHOULD you use it? I think you need to ask yourself the following questions:

  • Can the power dynamics at play in my plot be served by any other means?
  • Would I play this scene differently if my character were bigger/stronger/differently gendered
  • Am I using the rape as sexual titillation in a non-sexual fantasy scenario?
  • Are the visuals correctly describing rape as about power and control, not sex?
  • Am I dealing with the aftermath of rape for the victim where appropriate?

Another article with a rebuttal can be found here.

What do you think? Can the use of rape be defended?

 

Filling the Waiting Hours:


2012
06.08

Committing Story Adultery

The Arc Riders is currently in the hands of a remarkable agent, and she is prepping revision notes for me before we place it on submission. This means that I need to down tools on the Are Riders (including Book 2) until I get those notes. Making changes to the universe now would just confound my brain when it comes to the revisions I have discussed with the agent. I need to see her notes before deciding on the next steps. The problem: a member of her family recently died, and another elderly member is suffering some severe health setbacks. She asked for a couple of weeks time to deal with family issues before getting back to work. I said YES, what else could I have said? Unfortunately, this means more waiting on my part. I’m not good at waiting. I fuss, I stress, I drive my friends and lover’s batty. I need to be distracted.

To keep my mind off of the wait I entered into a CampNaNoWriMo challenge with three members of my writing group. We are each taking the same simple plot spark and main character and writing a story based on it. It is an exercise in possibilities. How will each of us view and expand upon the idea? How will we develop the character? What conflicts and problems will we manifest? All in all, I think it is a good way to keep my writing chops in shape, and distract me from the waiting.

 

Here is the shared Plot Spark:

The rules are simple: 

1. The story must be completed in exactly 50,000 words.

2. Attempt to keep to the plot.

 Genre: Steampunk

 Plot: Quest to retrieve the Tesla Diamond, a jewel used by the inventor in one of his experiments to bring free and endless electricity to the world – the experiment failed, but the jewel is reputed to have taken on magical properties. It has been lost, but the captain of the intrepid ship Pegagus’ Child, Jordie Aeron, has a lead on finding it. All that stands in the way is the Royal British Aire Force, the Bermuda Straights and the captain’s conscious.

Main Character: Jordie Aeron is a ginger, and a known scoundrel. Risk taker, hothead and wanted criminal. May be male or female.

Main Villain: Unique to each story.

So I am writing this and having a blast! The only problem is I have this nagging feeling of unfaithfulness. Like I am cheating on the Arc Riders, the story that has consumed my imagination for a couple of years now. How about you? Do any of you have a little piece on the side? Do you feel guilt over it?

Subtext and the Art of Subtle Influence


2012
03.27

I just read an interesting and saddening post on blatant idiocy here. Go read this story of discrimination and fear. We’ll wait.

So, the upshot seems to be that if you are gay, your writing cannot be trusted. Of course, the un-named ‘A’ is right. WAIT, before you hoist me on this petard of my own making, hear me out…

‘A’ was clearly afraid. Afraid of ‘The Gay’ yes, but more likely, afraid that she and her readers would be shown in plain black and white that being gay does not stop a person from being admirable. Nothing scares bigots more than having light shed on their irrationality. What if the gay writer said something that made sense? What if, please God no, she actually agreed with him. What if she found herself drawn to his words, moved by his arguments, attracted to his ideas. It is difficult to maintain negativity towards people we truly admire. This is the fear that causes bigots to throw up barriers, but it is a line in the sand.

As writers, we would do well to remember that words have power. Blogger A has managed to dance away from the wave that would erase her self-imposed border, but the tide is rising, and that line in the sand grows harder and harder to defend. The best thing we can do is write. Books with gay characters. Books with real people in them. Books with characters worth admiring. Blogs that are inclusive. Articles that ask hard questions. Stories that change us, that shine light into our darkest corners, that bring our own irrationality to light where it can shrivel and die. Blogger A is right: words have power, but Blogger A is wrong not to embrace  the power of words to shape us into better people.

Gatekeepers for Self Publishing?


2012
01.15

Recently, I have found myself overwhelmed by the sheer numbers of self-published and ‘indie’ authors in my network clamoring for me to read and review their books. I have had ten requests already this year. Out of the ten, only one book held my interest for more than a couple of paragraphs, and that one lost me before the end of the first chapter.

The culprit? Poor writing. Typos alone could be ignored; unfortunately, what I am seeing is basic mistakes – pronoun confusion, tense switching, extreme use of passive voice, incomplete or confusing description, etc. Many, if not most of these authors are active members of the on-line writing community and I encounter them on Facebook, on Twitter, at Goodreads, on Linked In and here. They all seem like such nice people. They all seem so committed to writing.

Of course, I am not the only one encountering this, and there is a lively discussion happening across the community on how we as writers should approach the problem. Chuck Wendig has a lovely (if profanity filled) blog post on it here.

One thing that Chuck brought up is the fact that so many self-published authors gush over the writing of other ‘indies’ regardless of the true quality of the writing. There seems to be such a strong feeling of camaraderie and support in the ‘indie’ community, which is good for authors, but does not truly serve the readers.

I have contributed to this atmosphere by politely saying nothing when given a free book that I subsequently find unreadable. I don’t want to hurt anybody’s feelings, so I just say nothing. I am beginning to think that is wrong. As I said in my comment on Chuck’s blog post – I need to develop a polite but firm way of calling bad writing, bad. I am beginning to suspect that no response lets authors off the hook. Perhaps no one has told them that their writing is not up to snuff.

After all, my own mother thinks that all the drivel I write is magic. My husband will help me with trouble spots, but in the end knows me so well that his mind fills in blanks left in the story. My writing buddies that haven’t yet finished a novel are in awe that I have. My writing buddies that are published have little time to spare.

In the end run, the critical eye is one of the main functions of the so-called ‘gatekeepers’ of publishing. These are people who don’t know you and don’t care how long it took you to write the book. They are judging the writing independent of any knowledge of you.

One of the things I think writers who choose to ‘indie’ or self publish need to do is create their own ‘gatekeepers’, a group of Beta Readers that can serve as honest reflections of the writing. This means finding people who do not know you, who do not know how long you have labored and who do not care if you succeed, but only whether the writing succeeds.

In the meantime, maybe the rest of us in the writing community need take the gloves off and start being direct and honest with those that have asked our opinion. Here is my version of a ‘Thanks but. . . ‘ reply note:

Dear Aspiring Author:

I greatly appreciate that writing a book is a massive undertaking, and for accepting that challenge, I salute you. However, I do not think this manuscript is the best it can be.

Although I liked: (insert positive things here),
I was unable to read past (the first page) due to: (list of problems here).

I sincerely hope you will not give up on your dream of being an author, but reapply yourself to the craft, working and shaping your prose until you have words worthy of your aspirations.
Remember: “What is written without effort is in generally read without pleasure.” Samuel Johnson

Sincerely, Me

I would love to know what others in this community think.

Who Will Be The Gatekeepers of Self Publishing?


2012
01.15

Recently, I have found myself overwhelmed by the sheer numbers of self-published and ‘indie’ authors in my network clamoring for me to read and review their books. I have had ten requests already this year. Out of the ten, only one book held my interest for more than a couple of paragraphs, and that one lost me before the end of the first chapter.
The culprit? Poor writing. Typos alone could be ignored; unfortunately, what I am seeing is basic mistakes – pronoun confusion, tense switching, extreme use of passive voice, incomplete or confusing description, etc. Many, if not most of these authors are active members of the on-line writing community and I encounter them on Facebook, on Twitter, at Goodreads, on Linked In and here. They all seem like such nice people. They all seem so committed to writing.
Of course, I am not the only one encountering this, and there is a lively discussion happening across the community on how we as writers should approach the problem. Chuck Wendig has a lovely (if profanity filled) blog post on it here.
One thing that Chuck brought up is the fact that so many self-published authors gush over the writing of other ‘indies’ regardless of the true quality of the writing. There seems to be such a strong feeling of camaraderie and support in the ‘indie’ community, which is good for authors, but does not truly serve the readers.
I have contributed to this atmosphere by politely saying nothing when given a free book that I subsequently find unreadable. I don’t want to hurt anybody’s feelings, so I just say nothing. I am beginning to think that is wrong. As I said in my comment on Chuck’s blog post – I need to develop a polite but firm way of calling bad writing, bad. I am beginning to suspect that no response lets authors off the hook. Perhaps no one has told them that their writing is not up to snuff.
After all, my own mother thinks that all the drivel I write is magic. My husband will help me with trouble spots, but in the end knows me so well that his mind fills in blanks left in the story. My writing buddies that haven’t yet finished a novel are in awe that I have. My writing buddies that are published have little time to spare.
In the end run, the critical eye is one of the main functions of the so-called ‘gatekeepers’ of publishing. These are people who don’t know you and don’t care how long it took you to write the book. They are judging the writing independent of any knowledge of you.
One of the things I think writers who choose to ‘indie’ or self publish need to do is create their own ‘gatekeepers’, a group of Beta Readers that can serve as honest reflections of the writing. This means finding people who do not know you, who do not know how long you have labored and who do not care if you succeed, but only whether the writing succeeds.
In the meantime, maybe the rest of us in the writing community need take the gloves off and start being direct and honest with those that have asked our opinion. Here is my version of a ‘Thanks but. . . ‘ reply note:
Dear Aspiring Author:
I greatly appreciate that writing a book is a massive undertaking, and for accepting that challenge, I salute you. However, I do not think this manuscript is the best it can be.
Although I liked: (insert positive things here),
I was unable to read past (the first page) due to: (list of problems here).
I sincerely hope you will not give up on your dream of being an author, but reapply yourself to the craft, working and shaping your prose until you have words worthy of your aspirations.
Remember: “What is written without effort is in generally read without pleasure.” Samuel Johnson
Sincerely, Me

I would love to know what others in this community think.

Gaining Clout by having Klout!


2011
08.04

Authors as promoters – it is not a new concept, but it is certainly one that causes no end of grief if one is to judge by the amount of chatter about it online. Just managing all the social media, promotional and networking required to be a working author can be exhausting, but current opinion holds that it is also necessary.

Here is a sampling of stuff I have read on the subject in the last month:

http://blog.nathanbransford.com/index.html

http://writerunboxed.com/2010/12/03/interview-with-jane-friedman-part-1/

http://donaldlafferty.com/12-social-media-essentials-for-writers/

 

Now there are all sorts of new ways to monitor your online presence and measure your reach. Although these services use arbitrary methods and have yet to be proven in the wider context, it is still a way to check on your engagement and rough effectiveness. Two that I have checked out are:

http://klout.com/#/EddieLouise

http://www.peerindex.net/eddielouise

Here is what I have discovered so far: You build Klout by engaging in conversations, by writing on trending topics and by saying things that other people think are witty enough to be repeated. Basically, everything you must do to build clout in face to face social situations.

The Scott Monument Edinburgh Scotland

Everybody keeps talking about the ‘new’ promotional role that authors must take, but I don’t think that role is so new.

Sir Walter Scott was perhaps one of the best authors at self-promotion EVER and he lived over 200 years ago. He was such a genius at promotion that he succeeded in getting the King involved, even to the point of dressing in garish layers of tartan and parading the streets of Edinburgh spurring a manic passion for all things Scottish and specifically Scott’s Waverly novels. Sir Walter accomplished this by talking. Scott was a solicitor (lawyer) and to all reports he was charming, self-effacing and immensely entertaining. His first novels were published anonymously, but in the end run, interest in the writing became interest in the author which in turn generated interest in his work.  The promotion and the writing became all of a piece, two sides of the same coin. One side represents the writer and the imagination, the other is the resulting works that spring out of that.

Having Klout is important, but when you combine your Klout with your written works you will begin to garner real Clout. My advice to you: keep working on both sides of the equation, and one day they might be building a monument for you. Now that’s clout!

 

Chasing Amy: a Viking’s Lament


2011
07.23

The news today is full of tragedy – one which was courted, invited in and danced with, the other which sprung out of the neverland of inexplicable hatred and madness. Both remind me of why a lack of imagination is the scariest monster we face and why we humans need story. Imagination is the key to seeing a place different than it is, to envisioning a better future, and to understanding our fellow travelers. Imagination is the fuel that will lift you out of the narrowness of self-focus and introduce you to the amazing world of possibility.

JK Rowling said it better than I ever could: 

Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places. Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathise.

And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know.

I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces leads to a form of mental agoraphobia, and that brings its own terrors. I think the wilfully unimaginative see more monsters. They are often more afraid.What is more, those who choose not to empathise enable real monsters. For without ever committing an act of outright evil ourselves, we collude with it, through our own apathy.

The best method I have for fighting back against the tragedy that sees taking a life, either your own or that of a group of innocent children, as a solution to a problem is to exercise my imagination and encourage others to do the same. 

I will write stories that help to tell people there is more to this world than our own narrow thoughts. That life is precious. That answers come from unexpected places. That living in the skin of others for those few brief hours of turning pages can help us to know and love ourselves and others more.